In the backdrop of European political unrest, that’s what these two represent, shrewd leaders unwilling to show their hand, yet cross-examining their likely opponents, hunting for advantage. The best stuff comes twice in Game of Shadows, a pair of scenes between Downey and Harris as they slickly play one another, carefully testing wits and words in a sensationally smart tease. Credit to the undervalued Noomi Rapace too, a gypsy lured into this plot, inadvertently creating an investigative trio.Įxplosions and bullets wane, even with some sharp slow motion appreciating the visual possibilities. Downey and Law act out an entertaining camaraderie, enough to help with sagging pacing. Their friendship and growing (but accepted) irritation with one another provides the studio template on which A Game of Shadows is built.
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This isn’t a glossy, perfect movie star Holmes screws up, he’s injured, and those bullets seem awfully close.īeing at a disadvantage raises stress levels, adding to the buddy genre’s back-and-forth between Holmes and Watson (Jude Law). The greatest thing A Game of Shadows does is make its title character fail. Off-screen, he’s still a presence, devious and cutthroat as his plan plays out. Like Holmes, Moriarty knows what will happen.
They leave greater destruction behind, put the heroes in a defensive stance, or total retreat. Set historically near to war, weapons receive a boost, from cannons to machine guns. The greatest thing A Game of Shadows does is make its title character fail
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